What Is To Be a Small-handed Pianist?

Are you a pianist with small hands? If so, you're not alone. Many of us face unique struggles when it comes to mastering the piano, and our hand size can play a significant role in this journey.

Recently, I have read "Adaptive Strategies for Small-Handed Pianists" by Lora Deahl and Brenda G. Wristen, which shed light on the complexities of being a pianist with small hands. What struck me most was the realization that the term "small-handed" is subjective, varying based on our individual experiences and the repertoire we tackle.

Being "small-handed" means I struggle to comfortably reach intervals beyond the ninth. Thick chords, octaves, and arpeggios are tough to play and need careful technique. They can make my hands tired and tense. But even with these challenges, it's important not to let them stop me (and you) from loving music.

Maximum stretch (LH)

Maximum stretch (RH)

In my own musical journey, I've come to accept and embrace my small-handed status. My maximum stretch reaches 180° (which is the maximum for every pianist), but fingers are relatively short, so playing clean eighth or ninth intervals remains a challenge. Yet, I've found solace in adjusting the position of my fingers on the keys, for example, opting for a lower placement to enhance accuracy and minimize accidental keystrokes within the chord/interval. Personally, I have a unique feature where the fifth finger on my left hand is a few millimeters longer than on my right hand, which can sometimes affect accuracy.

So, to my fellow pianists navigating the world with small hands, let's view this challenge as an opportunity for growth. Our hands may be small, but our determination and passion for music are boundless. Together, let's explore, adapt, and conquer the piano, one keystroke at a time.