Repertoire Selection for Pianists with Small Hands
- Aleksandra Tepliakova
- May 21, 2024
- 2 min read
Updated: Jun 3, 2024
For pianists with small hands, choosing the right repertoire is crucial. Some pieces can be exceptionally challenging, making it difficult to fully convey the composer's ideas. Personally, I've never played pieces of Brahms and struggled a lot with Rachmaninov's "Aleko's Aria," so it led to exclusion from my exam repertoire. Similarly, Prokofiev's sonatas present challenges, leaving me with the feeling that my physical limitations block my ability to learn them effectively. While adjustments are possible, some pieces require extensive modification, making it wiser to opt for alternatives.
In my survey, I asked pianists if they consider repertoire selection. Only 5 respondents always take repertoire into account, while 7 do so occasionally, 5 do it barely, and 3 almost never. This diversity highlights the unique nature of our hands; what may be impossible for one pianist could be manageable for another. One responce which I got on Facebook:
I have relatively small hands. I gravitated toward music that conformed, for example, Mozart, who reportedly had fairly small hands. Otherwise, I learned to simply knock off anything I couldn't reach. Needless to say, Rachmaninoff was off the menu.
To address difficulties, each pianist adopts their own approach. However, for many respondents, including myself, preserving the composer's ideas is essential. While 13 respondents may do small changes which will not affect the composer's vision, 3 adapt the texture by changing it so they could perform it, and 4 play the piece as it is written by the composer, even if discomfort arises. Nevertheless, prioritizing health and careful attitude is crucial, as enduring discomfort or pain can lead to long-term issues that hinder piano playing.
As lifelong learners, pianists rely on the guidance of their teachers. Throughout my 23-year journey, my piano teachers have played an important role in my development. Seeking their expertise and advice is invaluable; 6 respondents always consult their teachers, 9 do so occasionally, and 4 make adaptations based on personal understanding of their hands.
In conclusion, the input of piano teachers is indispensable in the performance process, offering valuable perspectives and insights. Ultimately, a careful and considerate approach to repertoire selection, guided by both personal limitations and artistic integrity, ensures a fulfilling and sustainable musical journey.
You are welcome to share about yourself and your opinion in my survey! Follow the link below!
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